在解放战争中，如何拿下上海这座大城市是对中国共产党人的一道难关和考验。本片聚焦1949年5月到1950年5月的一年间，从政治、经济、社会三个方面讲述共产党人如何解放上海、接管上海并赢得民心。正如毛泽东同志所言：“我们不但善于破坏一个旧世界，我们还将善于建设一个新世界”。通过重温这段历史，从当年的创业奋斗中汲取营养和智慧，也是今天“不忘初心，牢记使命”之意。

在解放战争中，如何拿下上海这座大城市是对中国共产党人的一道难关和考验。本片聚焦1949年5月到1950年5月的一年间，从政治、经济、社会三个方面讲述共产党人如何解放上海、接管上海并赢得民心。正如毛泽东同志所言：“我们不但善于破坏一个旧世界，我们还将善于建设一个新世界”。通过重温这段历史，从当年的创业奋斗中汲取营养和智慧，也是今天“不忘初心，牢记使命”之意。

“杂物小姐”是男孩杂货店里的常客，她陆续将前男友留下的东西拿到小店卖，将他留下的回忆，统统丢弃。漫画、自行车、篮球、乌龟……已经第三个圣诞节了，她的手上却依然带着那块表…为什么，这三年间，她的心还挂在手上，始终割舍不下?终于，男孩还是鼓足勇气表示想要买下她那块表，买下她的心。

随着历史车轮，中国人每一个阶段都会有不同的的过年习俗和方式。现在很多人觉得因为科技发展，年味淡了，我们更多的在手机上完成拜年和发红包，而这种过年方式的变化是否影像以后的年？希望通过影片带给观众思考想象

Consists of segments: (1) "The Classical Ideal". The origins of Western art are traced to ancient Greece through Kouroi and Korai figures, as well as by the architectures of the Pantheon. From Greece to Rome through the Hellenistic period, the program focuses on the new artistic approach to human form and violent emotions that reached its pinnacle with the altar of Zeus at Pergamun. (2) "A White Garment of Churches". Examines Romanesque and Gothic churches as evidence of the values of the societies that created them. Shows the effect of monasticism and pilgrimage on Romanesque church architecture. Uses Gislebertus's sculpture at St. Lazare in Autun to show the medieval focus on Heaven and the afterlife. The Gothic architecture, sculpture and stained glass at St. Denis and Chartres are discussed as evidence of a new theology and profound social changes during the twelfth and early thirteenth centuries. (3) "The Early Renaissance in Italy and the North". (4) "The High Renaissance". Covers key aspects of the High Remaissance, including the advent of the artist as genius (Leonardo, Michelangelo, and Raphael), the rise of Rome as a center of artistic vitality, and Venetian preoccupation with the quality of light (Giorgione and Titian). Also examines the social turbulence of the late sixteenth century and the reinterpretation of classical architectural principles. (5) "Realms of Light". Examines the divergent themes of the baroque period, including a new emotional appeal as seen in Bernini's 'The Ecstasy of St. Teresa,' Caravaggio's naturalism, Velasquez's multilayered works, and the rise of bourgeois values as seen in Rembrandt's works. (6) "An Age of Reason, an Age of Passion". Covers the move from the rococo period to neoclassicism and romanticism. Relates stylistic changes to the French Revolution and the Napoleonic wars. Covers the work of David, Géricault, Turner, Delacroix, and Goya. (7) "Realists, Impressionists, Post-Impressionists". Contrasts Courbet's treatment of subjects from everyday life with the innovations and techniques used by the impressionists. Examines the impressionists characteristic concern with color and changing light and contrasts this with the very individualistic visions of the postimpressionists. (8) "Into the Twentieth Century". Covers the work of the Fauves, the Cubists, the international style, and the Surrealists. Discusses how these movements relate to modern life. (9) "In Our Own Time." Examines why the appearance of abstract expression caused the United States to become a center for the visual arts. Reviews the diversity of styles in the postwar period, including the work of Pollock, Warhol, Oldenburg. Also examines the explosive internationalization of the art world in the 1970s and 1980s. Written by Fiona Kelleghan {[email protected]

Consists of segments: (1) "The Classical Ideal". The origins of Western art are traced to ancient Greece through Kouroi and Korai figures, as well as by the architectures of the Pantheon. From Greece to Rome through the Hellenistic period, the program focuses on the new artistic approach to human form and violent emotions that reached its pinnacle with the altar of Zeus at Pergamun. (2) "A White Garment of Churches". Examines Romanesque and Gothic churches as evidence of the values of the societies that created them. Shows the effect of monasticism and pilgrimage on Romanesque church architecture. Uses Gislebertus's sculpture at St. Lazare in Autun to show the medieval focus on Heaven and the afterlife. The Gothic architecture, sculpture and stained glass at St. Denis and Chartres are discussed as evidence of a new theology and profound social changes during the twelfth and early thirteenth centuries. (3) "The Early Renaissance in Italy and the North". (4) "The High Renaissance". Covers key aspects of the High Remaissance, including the advent of the artist as genius (Leonardo, Michelangelo, and Raphael), the rise of Rome as a center of artistic vitality, and Venetian preoccupation with the quality of light (Giorgione and Titian). Also examines the social turbulence of the late sixteenth century and the reinterpretation of classical architectural principles. (5) "Realms of Light". Examines the divergent themes of the baroque period, including a new emotional appeal as seen in Bernini's 'The Ecstasy of St. Teresa,' Caravaggio's naturalism, Velasquez's multilayered works, and the rise of bourgeois values as seen in Rembrandt's works. (6) "An Age of Reason, an Age of Passion". Covers the move from the rococo period to neoclassicism and romanticism. Relates stylistic changes to the French Revolution and the Napoleonic wars. Covers the work of David, Géricault, Turner, Delacroix, and Goya. (7) "Realists, Impressionists, Post-Impressionists". Contrasts Courbet's treatment of subjects from everyday life with the innovations and techniques used by the impressionists. Examines the impressionists characteristic concern with color and changing light and contrasts this with the very individualistic visions of the postimpressionists. (8) "Into the Twentieth Century". Covers the work of the Fauves, the Cubists, the international style, and the Surrealists. Discusses how these movements relate to modern life. (9) "In Our Own Time." Examines why the appearance of abstract expression caused the United States to become a center for the visual arts. Reviews the diversity of styles in the postwar period, including the work of Pollock, Warhol, Oldenburg. Also examines the explosive internationalization of the art world in the 1970s and 1980s. Written by Fiona Kelleghan {[email protected]

日本美容业协会（AEA）公开印象影片《十年分の私へ》，讲述两名高中女生追逐梦想的青春物语短篇动画，该作由FLAT STUDIO制作，上田丽奈＆高桥李依出演 　　CAST 　　咲： cv.上田丽奈 　　海： cv. 高桥李依 　　老师 cv. 石井未紗 　　STAFF 　　监督·脚本·角色设计·演出·总作监·美监·动画检查·编集：loundraw 　　音乐：小濑村晶